The IEC is involved in this conferences to be held in Lisbon by Universidade Lusófona and CITO
Call for Papers:
About the Conference
The Cinematography of Today conference invites scholars, educators, researchers, and practitioners to explore the evolving art, craft, and theory of cinematography. This three-day event seeks to foster dialogue between academic research and professional practice, addressing the aesthetic, technical, educational, and ethical dimensions that shape contemporary image-making.
As digital and analogue practices, immersive technologies, and artificial intelligence redefine the cinematographic landscape, this conference offers a space for reflection, experimentation, and exchange among cinematographers, educators, students, and researchers from around the world.
Topics of Interest
We welcome proposals for academic papers, practice-based research presentations, case studies, and round-table discussions on (but not limited to) the following topics:
I. Cinematography as Art and Practice
Cinematographer as author: shaping meaning, perception, and audience subjectivity.
Gaze, power, and identity in visual storytelling.
Embodiment and movement in cinematic space.
Collaborative authorship and case studies: director/ cinematographer dynamics.
II. Technology, Innovation, and Materiality
Evolution of cameras, lenses, and lighting as creative tools.
LED studios, virtual production, and immersive environments.
AI, CGI, and ethical considerations in post-human visuality.
Color science, psychology, and perceptual impact.
Analogue processes and slow cinema aesthetics.
Sustainable and eco-conscious production practices.
III. Education, Methodology, and Ethics
Pedagogical approaches and fostering creativity in cinematography.
Student projects, theses, and practice-based research projects.
Professional ethics, labour, and working conditions.
Inclusion, diversity, and gender in film education and industry.
Mentorship and intergenerational knowledge transfer.
IV. History, Archives, and Research
History of cinematography and the evolving role of the cinematographer.
Archives, preservation, and cinematic memory.
Scholarship connecting theory and practice.
Practice-based, auto ethnographic, and collaborative methodologies.
Community-based film-making and participatory visual practices.
Neuroscience and perception in cinematography.
Film studies perspectives on cinematic language and spectatorship.
Submission Guidelines
Abstract length: 300–500 words
Submission format: PDF or Word document, including title, author(s), institutional affiliation(s), and email.
Language: English (Portuguese or Spanish submissions are also accepted). Optional: Include up to 3 images, or videos if relevant to practice-based research
Key Dates
Abstract Submission Deadline: March 24, 2026
Notification of Acceptance: April 24, 2026
Registration Deadline: May 24, 2026
Conference Dates: June 24–26, 2026
Final Paper Submission for Conference Book: July 24, 2026
Format
Presentations may take the form of: 20-minute paper presentations of Practice-based demonstrations, round-table or panel discussions.
Publication
Selected papers and projects will be included in the conference proceedings and a peer-reviewed book of essays, Cinematography of Today, to be published following the event.
Submission Fees:
Researchers with an accepted paper and presentation: €150.
General participants attending all three days: €150.
Free attendance for:
Members of the CITO Association (enrolled for 2026)
Professors participating in the BIP program
Students
Submission:
Submission for papers and registration link
For case studies, round-table discussions, or any questions about the process, please email: emilia.lloret@gmail.com
