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Rob Hifle & Lux Aeterna helped BBC Studios NHU to craft Sir David Attenborough’s Royal Tribute
BBC Studios Natural History Unit (NHU) set out to celebrate Sir David Attenborough’s 100th birthday by creating something that felt both cinematic and unmistakably rooted in the visual language of British natural history filmmaking. The resulting short film, A Very...
Richard Rutkowski ASC breaks down creating the imminent danger of fires in camera and more for The Audacity
American DP Richard Rutkowski ASC wrote-in with details about his work on the highly-acclaimed new AMC series The Audacity, which delves into the Silicon Valley as it explores the unorthodox relationship between a wannabe tech titan and his therapist. After director...
Tari Segal ASC talks about creating the world of wrestling, Only Fans, and more for Margo’s Got Money Troubles
DP Tari Segal ASC wrote-in with details about her work on the new Apple TV+’s series Margo’s Got Money Troubles, starring Elle Fanning, Nicole Kidman, Nick Offerman, and Michelle Pfeiffer. After director Dearbhla Walsh and her DP Carl Herse had shot the first two...
The visual life of Blake McClure ASC
Blake McClure, ASC, didn’t grow up as a film prodigy with a light meter in his crib; he started by sneaking onto the sets of the Ernest movie series in his hometown of Nashville. Growing up in a music hub where Hollywood felt like a distant planet, it wasn’t until the...
Hillary Fyfe Spera on building the complex visual world of season 2 of Daredevil: Born Again
DP Hillary Fyfe Spera wrote in details about her work on the new season of Marvel’s Daredevil: Born Again. Moving to season 2, she built upon the visual language she created in the pilot of season 1 for the worlds of Fisk and Daredevil and translated that language...
The making of I Love Boosters
Writer-director Boots Riley and cinematographer Natasha Braier ASC ADF invite viewers into their creative process, shining a light on key collaborations that helped bring the movie from the page to the big screen. With his new film I Love Boosters, writer-director...
Seven features shot on Kodak film compete for the Palme d’Or at Cannes 2026
Kodak Motion Picture is celebrating twenty productions shot on Kodak film at the 2026 Cannes Film Festival. Seven of the twenty films will compete for the Palme d’Or including Rodrigo Sorogoyen’s El Ser Querido (The Beloved), Marie Kreutzer’s Gentle Monster, László...
The lenses of 2DIE4 with the Abdala Brothers & Dan Sasaki
Co-directors Salomão and André Abdala discuss their lens choices with Panavision’s SVP of Optical Engineering. Ahead of the release of their racing documentary 2DIE4, brothers and co-directors Salomão and André Abdala returned to Panavision’s Woodland Hills...
On Tour: The Ranch, Warner Bros. Studios
By Iain Blair Located in a quiet, leafy neighbourhood, a short distance from the iconic Warner Bros. Studios Burbank Main Lot, The Ranch is the impressive new state-of-the-art production facility, one that has been years in the making and which, after nearly two years...
Florian Hoffmeister BSC to receive Marburg Camera Prize
Cinematographer Florian Hoffmeister BSC will receive the Marburg Camera Prize on 15th May, an award that stands apart from the usual industry cycle. Presented by the University of Marburg in Germany, it recognises a body of work rather than a single title, framed...
Ryan Kernaghan ISC and Jordan Bryan win at BAFTA 2026 TV Craft Awards
Hosted by Maisie Adam, the BAFTA Television Craft Awards with Samsung OLED celebrated the outstanding talent and creativity of television craftspeople who brought the top programmes of 2025 to life. In Photography & Lighting: Fiction, Ryan Kernaghan won for...
DP Tim Sidell BSC on Hugo lenses and The Night Manager
Season two of BBC’s hit series The Night Manager, directed by Georgi Banks-Davies and lensed by Tim Sidell BSC, finds Jonathan Pine (Tom Hiddleston) leading a covert surveillance operation in London under an assumed identity of Alex Goodwin. Goodwin begins to uncover...
Michael Goi ASC ISC on mentors and mentoring in cinematography
With gratitude for those who mentored him, the cinematographer, director and producer is tirelessly committed to encouraging the next generation of filmmakers. As cinematographer, director and producer Michael Goi ASC ISC explains it, filmmaking is a living process,...

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