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On Tour: Keslow Camera L.A

On Tour: Keslow Camera L.A

By Our Man in LA - Iain Blair Located on a quiet back street in bustling Culver City, Keslow Camera has served the global filmmaking community with cinema cameras, lenses, and technical support for close to four decades since being founded by former camera assistant...

The cinematography of Spider-Man: Brand New Day

The cinematography of Spider-Man: Brand New Day

Director of photography Brett Pawlak reteams with director Destin Daniel Cretton for the latest big-screen adventure of everyone’s favourite wall-crawler. The world has forgotten about Peter Parker. Well, not our real world, but the world presented in Spider-Man:...

DP Oren Soffer shoots Onslaught

DP Oren Soffer shoots Onslaught

By Our Man in LA, Iain Blair Given the current rapid advances in AI, genetics and robotic warfare, the new action thriller Onslaught couldn’t be timelier. Directed by Adam Wingard (Godzilla vs. Kong, You’re Next) the film stars Adria Arjona as a young mother living in...

Cinematographer Anka Malatynska’s advice to aspiring filmmakers

Cinematographer Anka Malatynska’s advice to aspiring filmmakers

Reflecting on her own journey behind the camera, the director of photography offers words of encouragement to the next generation of cinematographers. Cinematographer Anka Malatynska realised early on that images captured through a lens could provide a passport to the...

On Tour: Otto Nemenz International L.A

On Tour: Otto Nemenz International L.A

When the legendary Otto Nemenz, founder of Otto Nemenz International, passed last year at the age of 83, he left behind a vision, a reputation and a legacy that will live on in our industry for years to come. Otto Nemenz International will continue to service the...

DP Spotlight with Iain Blair – Alicia Robbins on Bridgerton

DP Spotlight with Iain Blair – Alicia Robbins on Bridgerton

By Our Man in LA, Iain Blair Bridgerton, the Emmy-winning Netflix romance streamer, is now in its fourth season, and as it follows the twisty tale of the namesake aristocratic family set in an alternative, multi-culti London Regency era of the early 19th century, it...

DP Greta Zozula shoots The Testaments

DP Greta Zozula shoots The Testaments

BY IAIN BLAIR The Testaments is the new ten-episode sequel to the Emmy-winning dystopian drama television series The Handmaid's Tale. Based on the 2019 novel The Testaments by Margaret Atwood, and again created by Bruce Miller, the Hulu streamer follows the story of...

Andata e Ritorno: Beyond the Journey on Trenitalia Trains

Andata e Ritorno: Beyond the Journey on Trenitalia Trains

Cinematographer David Becheri transforms trains into moving sets, capturing the authentic stories, emotions and everyday journeys of passengers across Italy for Amazon Prime Documentary, shot on the URSA Cine 12K LF. Shot on a compressed schedule, Andata e Ritorno was...

Steadicam Silver Workshop at the Bull, April 2026

Steadicam Silver Workshop at the Bull, April 2026

by Mel Noonan, StylusMC Many Steadicam operators have made their career decision during or after attending a Tiffen Steadicam workshop. The courses are friendly, intense and very highly regarded by the Steadicam community. There are Bronze, Silver and Gold, rising in...

Inside Rooster’s warm digital 65mm look

Inside Rooster’s warm digital 65mm look

Senior colourist Josh Bohoskey helped shape a picture pipeline on the HBO Max show that could manage heavy vignetting, unpredictable contrast and a seasonal colour shift running across the series. From the outset, Rooster was not meant to look clean. Cinematographer...

Ben Fordesman BSC on the making of Anemone

Ben Fordesman BSC on the making of Anemone

The cinematographer reveals how he tackled the tug-of-war between brothers in writer-director Ronan Day-Lewis’ debut feature. Ben Fordesman BSC is the cinematographer behind such notable independent features as writer-director Rose Glass’ St. Maud and Love Lies...

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