by Kirsty Hazlewood | Jan 1, 2023 | Feature slider, Features
This article featured in CW012, (November 2022) edition of Cinematography World All images courtesy and copyright Netflix. WHOLLY GUACAMOLE By Ron Prince It’s a fact-of-life that tiny questions, such as ‘Who am I?’, can become our biggest, soul-searching... 
by Kirsty Hazlewood | Dec 31, 2022 | Feature slider, Features
This article featured in CW011, (September 2022) edition of Cinematography World SHIP OF FOOLS By Oliver Webb Expertly-shot in rich and vibrant hues by Swedish filmmaker Ruben Östlund’s long-time cinematographic collaborator, Fredrik Wenzel FSF, Triangle Of Sadness... 
by Kirsty Hazlewood | Dec 30, 2022 | Feature slider, Features
This article featured in CW012, (November 2022) edition of Cinematography World MOUTH WATERING By Ron Prince Captured with vibrant colour on Kodak 35mm 500T 5219 film, director Luca Guadagnino’s cannibalistic period road movie, Bones And All, may be gruesome, twisted... 
by Kirsty Hazlewood | Dec 29, 2022 | Feature slider, Features
This article featured in CW012, (November 2022) edition of Cinematography World PRO-CHOICE By Ron Prince “I would shoot every narrative story on film if I could,” declares New York-based cinematographer, Greta Zozula, recalling her time spent working on Call Jane,... 
by Kirsty Hazlewood | Dec 28, 2022 | Feature slider, Features
This article featured in CW011, (September 2022) edition of Cinematography World RISE…ROAR…ROLL CAMERA By Natasha Block Hicks When principal photography finally wrapped on the epic Telugu blockbuster RRR (2022), nearly four years had passed since director... 
by Kirsty Hazlewood | Dec 27, 2022 | Feature slider, Features
This article featured in CW011, (September 2022) edition of Cinematography World KINGDOM COME By Ron Prince Inspired by true events, director Gina Prince-Bythewood’s The Woman King follows the Agojie, the all-female group of warriors who protected the West African...
