by Kirsty Hazlewood | Dec 1, 2022 | Feature slider, Features
For award-winning cinematographer Aaron McLisky ACS, and for Academy Award winning director, co-writer and leading actor Russell Crowe, shooting the psychological thriller Poker Face came down to two things: achieving a modern look that maintained a painterly quality... 
by Kirsty Hazlewood | Nov 14, 2022 | Feature slider, Features
Cinematographer Tomasz Augustynek PSC discusses his approach to the visual style of the Polish feature. Written and directed by Bartosz Blaschke, the Polish feature Sonata is inspired by the true story of a deaf boy misdiagnosed with autism who discovers a passion and... 
by Kirsty Hazlewood | Nov 14, 2022 | Features
Light Iron senior colourist Ethan Schwartz offers a brief on the benefits of his early collaboration on the SXSW winning feature I Love My Dad. A comedy particular to modern times, the feature I Love My Dad is equal parts true-life catfish story and popcorn comedy.... 
by Kirsty Hazlewood | Nov 14, 2022 | Feature slider, Features
Jeff Cronenweth ASC and Light Iron supervising colourist Ian Vertovec reflect on the FilmLight Colour Award-nominated feature Being The Ricardos. Introduced in 2021, the FilmLight Colour Awards celebrate the art of colour grading as practiced around the globe. This... 
by Kirsty Hazlewood | Oct 28, 2022 | Feature slider, Features
Colourist Katie Jordan shines a light on the rich palette that complements the mysterious and macabre world of the HBO Max comedy series Los Espookys. Created by Saturday Night Live alums Fred Armisen and Julio Torres along with fellow comedian Ana Fabrega, the... 
by Kirsty Hazlewood | Oct 18, 2022 | Feature slider, Features
Sought-after director Mark Toia has worked with brands ranging from Jeep, Mercedes Benz, Adidas, Sony Music, Lucky Strike, and more. No matter what, or where he’s shooting — whether in Dubai, Malaysia, Australia, or the Northern Territories for tourism...
