by Kirsty Hazlewood | Jan 3, 2023 | Feature slider, Features
This article featured in CW011, (September 2022) edition of Cinematography World AGONY AND ECSTASY By Ron Prince Living in a sleepy seaside town, and working in a dreary benefit claims office, Kate finds herself seduced by the cheeky grin from a swaggering,... 
by Kirsty Hazlewood | Jan 2, 2023 | Feature slider, Features
This article featured in CW010, (July/August) edition of Cinematography World LONG LIVE THE KING By Ron Prince It’s a fair bet that many people of a certain age will know where they were on August 16th, 1977, when Elvis Presley shuffled off this mortal coil, such was... 
by Kirsty Hazlewood | Jan 1, 2023 | Feature slider, Features
This article featured in CW012, (November 2022) edition of Cinematography World All images courtesy and copyright Netflix. WHOLLY GUACAMOLE By Ron Prince It’s a fact-of-life that tiny questions, such as ‘Who am I?’, can become our biggest, soul-searching... 
by Kirsty Hazlewood | Dec 31, 2022 | Feature slider, Features
This article featured in CW011, (September 2022) edition of Cinematography World SHIP OF FOOLS By Oliver Webb Expertly-shot in rich and vibrant hues by Swedish filmmaker Ruben Östlund’s long-time cinematographic collaborator, Fredrik Wenzel FSF, Triangle Of Sadness... 
by Kirsty Hazlewood | Dec 30, 2022 | Feature slider, Features
This article featured in CW012, (November 2022) edition of Cinematography World MOUTH WATERING By Ron Prince Captured with vibrant colour on Kodak 35mm 500T 5219 film, director Luca Guadagnino’s cannibalistic period road movie, Bones And All, may be gruesome, twisted... 
by Kirsty Hazlewood | Dec 29, 2022 | Feature slider, Features
This article featured in CW012, (November 2022) edition of Cinematography World PRO-CHOICE By Ron Prince “I would shoot every narrative story on film if I could,” declares New York-based cinematographer, Greta Zozula, recalling her time spent working on Call Jane,...
