Light Iron supervising colourist Scott Klein and additional colourist Jesús Borrego bring viewers into the colour suite for Bosch: Legacy

As one of Amazon Prime’s earliest hits, Bosch left a legion of watchers wanting more after its Season 7 finale. Bosch fans can rest assured knowing...

Cinematographer Yasu Tanida reflects on his time behind the camera for all six seasons of This Is Us

Created by Dan Fogelman, the series This Is Us came to an emotionally charged end on May 24, closing a significant chapter in the annals of network...

DP Greig Fraser ACS ASC goes dark and dangerous on The Batman

By Iain Blair They used to call James Brown the hardest working man in showbiz. Maybe the title should now belong to Australian cinematographer...

Mark Cunniffe chooses Ayrton rig for Ed Sheeran’s Mathematics tour

Lighting and production designer, Mark Cunniffe, has chosen to light Ed Sheeran’s current Mathematics world tour, with a lighting rig composed...

DP Linus Sandgren FSF ASC used Kodak 35mm to capture Adam McKay’s apocalyptic satire Don’t Look Up

By Ron Prince While the apocalyptic black comedy, Don’t Look Up, may not have been to every critic’s taste, that didn’t prevent enormous numbers of...

Kodak film was a slam-dunk for DP Todd Banhazl SOC and HBO’s Winning Time: The Rise Of The Lakers Dynasty

By Ron Prince Kodak 35mm, 16mm and Super8mm colour and B&W film stocks formed the visual foundation for HBO’s acclaimed, ten-part sports drama,...

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Light Iron supervising colourist Scott Klein and additional colourist Jesús Borrego bring viewers into the colour suite for Bosch: Legacy

Light Iron supervising colourist Scott Klein and additional colourist Jesús Borrego bring viewers into the colour suite for Bosch: Legacy

As one of Amazon Prime’s earliest hits, Bosch left a legion of watchers wanting more after its Season 7 finale. Bosch fans can rest assured knowing that the creators of the novel-based crime drama are continuing Harry Bosch’s story with the new series Bosch: Legacy. Dailies and final colour for the spinoff series were supplied by Light Iron L.A....

universal lighting
DP Greig Fraser ACS ASC goes dark and dangerous on The Batman

DP Greig Fraser ACS ASC goes dark and dangerous on The Batman

By Iain Blair They used to call James Brown the hardest working man in showbiz. Maybe the title should now belong to Australian cinematographer Greig Fraser ACS ASC, who’s just come off back-to-back acclaimed mega-projects – and is already hard at work on the next one. First, he shot Dune (2021, dir. Denis Villeneuve,), the sci-fi epic which...

Cinematography World is the Official Media Partner of Euro Cine Expo 2022

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BREAKING NEWS

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Shift 4 acquires the new Leitz Primes

Shift 4 acquires the new Leitz Primes

You may have already seen what the new Leitz Primes can do, as they’ve been used by some of our BSC colleagues on a several high-end productions. And now, these state-of-the-art lenses are available for hire exclusively from Shift 4 - the only UK rental company stocking them. There are 12 focal lengths available, ranging from 18mm to 180mm....

CVP
Tribute to Ronald E Collins (1942-2022)

Tribute to Ronald E Collins (1942-2022)

Anyone who met or worked with Ron Collins, could not have avoided his enthusiasm, whether it was as a cameraman, running a sales and rental company or as a bon vivant, he was always there, well over 100%. Educated at Solomon Wolfson school, Clerks College and...

Professional Tiffen Filters for DJI Mini 3 Pro drone

Professional Tiffen Filters for DJI Mini 3 Pro drone

Tiffen’s 3-Filter Neutral Density Kit for the DJI Mini 3 Pro offers a simple professional method of controlling the lighting conditions while operating this popular drone. Using Tiffen’s lightweight filters helps manage the camera aperture for ideal exposure without...

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A warm welcome everyone…

to Cinematography World, the new, global publication for the film and TV production industry.

Cinematography World embraces the global community of cinematographers and their collaborators involved and in the art and craft of visual storytelling.

It is our mission to broaden the scope and deepen the purpose of print, online and digital media to truly support, inspire and empower the collaborative community involved in making moving images.

Ron Prince

Editor of Cinematography World magazine

issue 9

Issue #009

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